"True catharsis.
After our columns confessed that his best-seller was pure invention, Misha Defonseca causes disappointment Bernard Fixot and filmmaker Vera Belmont.
They want him "a little bit", but "especially feel very sad," since they learned the news of the lie of Misha Defonseca revealed Friday morning by Le Figaro. Bernard Fixot, the publisher of her story french sold more than 200000 copies (XO Editions), and Vera Belmont, the director of the film Surviving with wolves, which totaled more than 540000 admissions in France, had nevertheless believed " "Despite implausibilities", "his autobiography recounting the saga in 1941 across Europe, a Jewish girl of 8 years saved by a pack of wolves.
"Misha has lied, but his story is no less amazing than these people an extraordinary heroism income camps," the excuse the editor, who was reluctant even yesterday between insert a correction in the book or the withdraw altogether from the sale. "I feel very lucky to be in my position, not the Misha, who had to live her entire life with this big secret," confided just after he hung up with the author. Bernard Fixot acknowledges having some responsibility "towards the Jewish children who were deported" and "presents plates apologies to those who have believed".
Vera Belmont, "disappointed", attempts an explanation: "It was appropriate that story as a safeguard for not sinking." She does not feel responsible. "His parents have been deported," she adds. And it is important for the filmmaker who had finally, through what she believed to be a witness, "found the angle to speak to the children of the Holocaust". Done his "duty of memory".
The memory of a history
No question of withdrawing the film room, "said Matt Piazza, responsible for the promotion at Bac Films Production. "This tragic tale is a fine example of courage and perseverance against adversity. It Mowgli from the Nazis! "But the words" Based on the true story "will be removed from the production, which is still on the agenda with Yael Abecassis, Guy Bedos and Michele Bernier. Exit too early sentence epilogue: Every morning, Misha went to the town hall to see if there was news of her parents. "No change announced, however, regarding disclosure of the film abroad. The director says that he has not yet discussed the project in Germany.
For Serge Tisseron psychiatrist, author of Virtual, mon amour (Editions Albin Michel): "The confidence of Misha Defonseca troubles us all, for two reasons: we can all tell stories and be tempted to believe. And this raises a serious question on the status of the story of testimony, the truth. Misha is not a crook, analyzes the doctor. In psychoanalysis, we are talking about split personality. "
According to him, this story, it probably did not invent adult. "To survive a traumatic situation, when it is dealing with the daughter of a traitor because his father had spoken under torture, the 4-year-old girl has told a heroic story. After becoming an adult, she told the memory of this story, as if she had lived to tell the truth. What is happening now must relief. "True catharsis.
They want him "a little bit", but "especially feel very sad," since they learned the news of the lie of Misha Defonseca revealed Friday morning by Le Figaro. Bernard Fixot, the publisher of her story french sold more than 200000 copies (XO Editions), and Vera Belmont, the director of the film Surviving with wolves, which totaled more than 540000 admissions in France, had nevertheless believed " "Despite implausibilities", "his autobiography recounting the saga in 1941 across Europe, a Jewish girl of 8 years saved by a pack of wolves.
"Misha has lied, but his story is no less amazing than these people an extraordinary heroism income camps," the excuse the editor, who was reluctant even yesterday between insert a correction in the book or the withdraw altogether from the sale. "I feel very lucky to be in my position, not the Misha, who had to live her entire life with this big secret," confided just after he hung up with the author. Bernard Fixot acknowledges having some responsibility "towards the Jewish children who were deported" and "presents plates apologies to those who have believed".
Vera Belmont, "disappointed", attempts an explanation: "It was appropriate that story as a safeguard for not sinking." She does not feel responsible. "His parents have been deported," she adds. And it is important for the filmmaker who had finally, through what she believed to be a witness, "found the angle to speak to the children of the Holocaust". Done his "duty of memory".
The memory of a history
No question of withdrawing the film room, "said Matt Piazza, responsible for the promotion at Bac Films Production. "This tragic tale is a fine example of courage and perseverance against adversity. It Mowgli from the Nazis! "But the words" Based on the true story "will be removed from the production, which is still on the agenda with Yael Abecassis, Guy Bedos and Michele Bernier. Exit too early sentence epilogue: Every morning, Misha went to the town hall to see if there was news of her parents. "No change announced, however, regarding disclosure of the film abroad. The director says that he has not yet discussed the project in Germany.
For Serge Tisseron psychiatrist, author of Virtual, mon amour (Editions Albin Michel): "The confidence of Misha Defonseca troubles us all, for two reasons: we can all tell stories and be tempted to believe. And this raises a serious question on the status of the story of testimony, the truth. Misha is not a crook, analyzes the doctor. In psychoanalysis, we are talking about split personality. "
According to him, this story, it probably did not invent adult. "To survive a traumatic situation, when it is dealing with the daughter of a traitor because his father had spoken under torture, the 4-year-old girl has told a heroic story. After becoming an adult, she told the memory of this story, as if she had lived to tell the truth. What is happening now must relief. "True catharsis.
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12:22 AM
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